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Plot Summary:
Ex-vice cop, Lenny Nero, is a loser who deals in VR clips – captured straight from the cerebral cortex – who uncovers that some things are not as they should be. Lenny keeps trying to protect old girlfriend Faith, a punk-rock singer, from her manager – and current boyfriend – the shady Philo Gant. Lenny’s hooker friend is brutally murdered – and the killer records his rape-kill and sends it to Lenny. Lenny must figure out who killed her, protect Faith, and come to terms with his life…

Starring:
Ralph Fiennes | Angela Bassett | Juliette Lewis | Tom Sizemore | Michael Wincott | Vincent D’Onofrio | Glenn Plummer | Brigitte Bako | Richard Edson | William Fichtner | Josef Sommer | Joe Urla | Nicky Katt | Michael Jace | Louise LeCavalier

Directed By:
Kathryn Bigelow

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Plot Summary:
Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.

Starring:
Dylan Walsh | Sela Ward | Penn Badgley | Amber Heard | Sherry Stringfield | Paige Turco | Jon Tenney | Nancy Linehan Charles | Marcuis Harris | Braeden Lemasters | Deirdre Lovejoy | Skyler Samuels | Blue Deckert | Jason Wiles | Kara Briola

Directed By:
Nelson McCormick

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Plot Summary:
1n 1972, a scale of measurement was established for alien encounters. When a UFO is sighted, it is called an encounter of the first kind. When evidence is collected, it is known as an encounter of the second kind. When contact is made with extraterrestrials, it is the third kind. The next level, abduction, is the fourth kind. Modern-day, Alaska, where-mysteriously since the 1960s-a disproportionate number of the population has been reported missing every year. Despite multiple FBI investigations of the region, the truth has never been discovered. Here in this remote region, psychologist Dr. Abigail Tyler began videotaping sessions with traumatized patients and unwittingly discovered some of the most disturbing evidence of alien abduction ever documented. The Fourth Kind exposes the terrified revelations of multiple witnesses. Their accounts of being visited by alien figures all share disturbingly identical details, the validity of which is investigated throughout the film.

Starring:
Enzo Cilenti | Corey Johnson | Hakeem Kae-Kazim | Elias Koteas | Will Patton | Daphne Alexander | Milla Jovovich | Mia McKenna-Bruce | Tyne Rafaeli | Alisha Seaton

Directed By:
Olatunde Osunsanmi

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Plot Summary:
Ruled by King Augustin, Carpia is a peaceful kingdom in a world inhabited by dragons and knights. The land’s serenity is unexpectedly shattered by a Fire Dragon that spreads almighty fear and death amongst the kingdom’s innocent people.

Starring:
Amy Acker | Tom Wisdom | John Rhys-Davies | Arnold Vosloo | Razvan Vasilescu | Oana Pellea | Cabral Ibacka | Ovidiu Niculescu | Loredana Groza | Cristian Motiu | Sorin Gordi | Denisa Rosca | Roxanna Ravenor

Directed By:
Pitof

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Plot Summary:
A family moves in to look after the Winchester mansion for a few months, and soon find themselves terrorized by vengeful spirits. With the help of a paranormal investigator they’ll unravel the mystery of the house.

Starring:
Lira Kellerman | Tomas Boykin | David McIntyre | Joey Ruggles | Mitch Toles | Rob Ullett | Kimberly Ables Jindra | Rya Meyers | Patty Roberts | Sari Sheehan | Kimberly Trew

Directed By:
Mark Atkins

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Plot Summary:
“No Justice!” “No Peace!” This rising chant from the streets escalated in answer to the seemingly endless incidents of police brutality throughout this great nation. Following the shooting of Amadou Diallo by 4 members of the NY City Police Department these chants rose from the streets by heartbroken and enraged voices. However, there are two sides to every story and the truth is often found where you least expect it. “If I Die Tonight” reflects on the lives and stories of those who survive on both sides of an impenetrable divide.

Starring:
Greg Baglia | Sean Bell | Ruben Coulanges | Congressman Elijah Cummings | De Lacy Davis | Amadou Diallo | Saikou Diallo | John Dozier | Craig Floyd | Jim Fotis | Russ Hammonds | Ryan Hanley | Nicholas Heyward Sr. | François Joseph | Maureen King

Directed By:
Seyi

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Plot Summary:
A young boy named Darren Shan meets a mysterious man at a freak show who turns out to be a Vampire. After a series of events Darren must leave his normal life and go on the road with the Cirque Du Freak and become a Vampire.

Starring:
John C. Reilly | Josh Hutcherson | Chris Massoglia | Jessica Carlson | Michael Cerveris | Ray Stevenson | Patrick Fugit | Daniel Newman | Morgan Saylor | Don McManus | Colleen Camp | Ken Watanabe | Salma Hayek | Orlando Jones | Frankie Faison

Directed By:
Paul Weitz

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I am a great lover of disaster movies and until now thought that this generations brand of disaster movie didn’t hold a candle to the 1970/Irwin Allen run of them – Posiedon Adventure/Earthquake/Towering Inferno. Sure there had been a few that were not bad, independence day/the day after tomorrow/ Armageddon but nothing earth shattering… Boy am I eating my words. This movie was in my opinion, the Best disaster movie I have ever seen. I give it a 9.5/10. I would have given it a 10 if Chiwetel Ejiofor had of punched Oliver Platt! Boy did he deserve it!! With a fantastic cast, including Danny Glover, John Cusack – who incidentally was awesome in this role, Amanda Peet, Oliver Platt, and Woody Harrelson playing Charlie Frost, end of the world radio announcer and totally nuts, and h plays him so well, and someone I had never heard of before, Chiwetel Ejiofor, who played the major scientist of the piece. Not to forget the rest of the awesome cast, each of them adding to the layers of the storytelling. The movie was kept rolling along by telling the stories of several independent characters all facing the end of the world as we know it. The graphics were by far the best character of the movie and if you saw the trailer you would get just a hint of how exciting it is. I sat down at the start and said to my mom that if what we had seen in the trailer was all we were going to get when it came to excitement i would be very disappointed. Well I all the excitement I could handle…. and more! The story spent the first hour setting the premise for the film…. the world was ending… and the last hour and a half was spent holding on to my seat, squealing, ducking and weaving in the times of action, crying at the more poignant moments, getting angry at others, as we followed the stories of the characters. I think this movies stirred up just about every type of emotion. It was awesome. I have no doubt i will go see it again. Do yourself a favor and watch it on the big screen! Don’t waste your time waiting for video, or watching it on the small screen. This Has to be seen on the big screen, with the big sound. It adds to the movies hugeness as much as everything else. I would not be surprised if we don’t see some awards for the special effects for this movie. So, grab your popcorn and soft drink and get yourself settled because you have an hour to sit quietly after that all hell breaks loose!!!!

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The audience is a jaded lot these days. The torture/gore horror genre is ever escalating to new heights trying to find a nerve that hasn’t been pressed yet. The Fourth Kind goes a different direction. It tries to get under your skin, to instill a sense of dread. My compliments to the director/writer for trying a new approach. It isn’t what you see, it is what you don’t see and our imaginations are called to the forefront. The performances are great. I really like Milla Jovovich and seeing her outside the action genre was great. She puts her heart into this. Elias Koteas is always good and once again his presence on screen is solid. Enzo Cilenti has been a favorite of mine since Late Night Shopping and I loved his seeing his intense work here. Hakeem Kae-Kazim was terrifying in Hotel Rwanda and I loved seeing his strength on screen translate to comforting this time. Great new talent in supporting cast as well. Osunsanmi’s direction is original. The score is seamless. A great scare with disturbing moments and parts that make you jump out of your seat.

Paranormal Activity

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The audience is a jaded lot these days. The torture/gore horror genre is ever escalating to new heights trying to find a nerve that hasn’t been pressed yet. The Fourth Kind goes a different direction. It tries to get under your skin, to instill a sense of dread. My compliments to the director/writer for trying a new approach. It isn’t what you see, it is what you don’t see and our imaginations are called to the forefront. The performances are great. I really like Milla Jovovich and seeing her outside the action genre was great. She puts her heart into this. Elias Koteas is always good and once again his presence on screen is solid. Enzo Cilenti has been a favorite of mine since Late Night Shopping and I loved his seeing his intense work here. Hakeem Kae-Kazim was terrifying in Hotel Rwanda and I loved seeing his strength on screen translate to comforting this time. Great new talent in supporting cast as well. Osunsanmi’s direction is original. The score is seamless. A great scare with disturbing moments and parts that make you jump out of your seat.

The Fourth Kind

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Forget everything you think you know about Michael Jackson. Forget the scandals, the surgeries, the rumors, the mysteries. Just accept that we’re all innocent until proved guilty in America and let it all go. Michael Jackson was the greatest dancer in the history of mankind. This documentary shows that hours before his death, he remained the greatest dancer in the history of mankind. He was a revelation, pure and simple. And the greatest achievement in Kenny Ortega’s simple, elegant tribute is that it allows the viewer, without a shred of distraction, to witness the process of an artist. Sure, some of the footage is a little amateurish, as this was meant for Michael Jackson’ records more than anything else. But that’s the fun of it. The viewer gets to witness the raw nature of the artist rather than the glossy outcome that would have been the final product. If you’re concerned that the film will be an act of gross exploitation and an attempt to squeeze every last dime in the wake of Michael Jackson’s death, know this: I haven’t the slightest doubt that Michael would have wanted his fans to see this footage. Of course it’s exploitive, don’t fool yourself into thinking otherwise, but so what: All documentaries are exploitive to some degree and tasteful exploitation is better than tasteless exploitation. This is a film about the process, nothing more. We’re just lucky that this process happens to revolve around the finest entertainer of our time. If you’re even the slightest fan, this is a must see. If you’re not, I dare you not to be won over. Also, if you’re looking for signs of fatigue from Michael Jackson, you will be disappointed. In fact, if there’s one thing that bothered me about the film, it’s that Michael was in such terrific shape that it’s angering to think he died so close to the finish line. We don’t have many great entertainers left in the world. And the fact that at 50 years of age, operating at about 80% energy wise, Michael blows the top 10 pop singers of today out of the sky, is rather remarkable. Prepare for an emotional and downright exciting concert-film. “This is it” will show the world that with all the noise, all the distractions, all the craziness: Michael Jackson still had it. And then some…

The Men Who Stare at Goats

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Forget everything you think you know about Michael Jackson. Forget the scandals, the surgeries, the rumors, the mysteries. Just accept that we’re all innocent until proved guilty in America and let it all go. Michael Jackson was the greatest dancer in the history of mankind. This documentary shows that hours before his death, he remained the greatest dancer in the history of mankind. He was a revelation, pure and simple. And the greatest achievement in Kenny Ortega’s simple, elegant tribute is that it allows the viewer, without a shred of distraction, to witness the process of an artist. Sure, some of the footage is a little amateurish, as this was meant for Michael Jackson’ records more than anything else. But that’s the fun of it. The viewer gets to witness the raw nature of the artist rather than the glossy outcome that would have been the final product. If you’re concerned that the film will be an act of gross exploitation and an attempt to squeeze every last dime in the wake of Michael Jackson’s death, know this: I haven’t the slightest doubt that Michael would have wanted his fans to see this footage. Of course it’s exploitive, don’t fool yourself into thinking otherwise, but so what: All documentaries are exploitive to some degree and tasteful exploitation is better than tasteless exploitation. This is a film about the process, nothing more. We’re just lucky that this process happens to revolve around the finest entertainer of our time. If you’re even the slightest fan, this is a must see. If you’re not, I dare you not to be won over. Also, if you’re looking for signs of fatigue from Michael Jackson, you will be disappointed. In fact, if there’s one thing that bothered me about the film, it’s that Michael was in such terrific shape that it’s angering to think he died so close to the finish line. We don’t have many great entertainers left in the world. And the fact that at 50 years of age, operating at about 80% energy wise, Michael blows the top 10 pop singers of today out of the sky, is rather remarkable. Prepare for an emotional and downright exciting concert-film. “This is it” will show the world that with all the noise, all the distractions, all the craziness: Michael Jackson still had it. And then some…

This Is It

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Greetings again from the darkness. This is a stunningly visual film with animation that will take your breath away. My eyes could hardly keep up with the opening credits as we “flew” through the city. However, as amazing as the film looks and as wonderful as the Jim Carrey voices are, the film still lacks something.

What may have happened is that some of the Dickens story was cut due to costs and the desire to concentrate on Scrooge. I am not saying it was a mistake, it just prevents us from ever connecting to the plight of Cratchet (Gary Oldman) or Scrooge’s nephew (Colin Firth).

One thing is for sure, the spirits are frightening. Marley’s spirit will have kids running for the exits or hiding behind parents. That will probably hurt the film as it will need kids to build any type of box score.

Definitely worth seeing for the visuals, but certainly not in the top versions if you really want to capture the spirit of Dickens’ novel.

A Christmas Carol

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Vincere 2009 [DVDRip XviD-LAP]

Six years after his intimate reimagining of the Aldo Moro kidnapping that rocked Italy in the Seventies in ‘Buongiorno, notte,’ Bellocchio has made another haunting and even more sweeping and iconic historical film. ‘Vincere’ is about Benito Mussolini’s secret first wife and son, who were hidden away and both died in insane asylums. ‘Vincere’ depicts a strange, distorted period in Italian history, and skillfully melds stock footage with recreations, black and white with color (rich in reds, alternating with ashen grays), public tumult with private torment. Visually lush and full of chiaroscuro, ‘Vincere is also a showcase for the talents of Giovanna Mezzogiorno as Ida Dalzer, the woman who met Benito Mussolini when he was the editor of Avanti, an ardent Socialist with strong populist, anti-monarchical, anti-clerical views, who dramatically dares God, if He exists, to strike him down.

Opening sequences alternate between 1907 when Ida first meets Mussolini (Filippo Timi) in Trent, and 1914 in Milan. She is a respectable middle-class woman with a beauty salon. On the eve of WWI, he shifts from pacifist liberal to pro-war rightist. Deathly afraid of ending in mediocrity, he is ravenous for power. Ida intensely supports him whatever his direction, and sells all her possessions, including jewels, furniture, and her business, to support his newspaper. This leads to the founding of the paper “Il Popolo d’Italia,” which becomes a fascist rallying-point. The film makes clear that she is madly in love but never mad. It also makes clear that though he declares his love of her and fathers a son named Benito, born just before he goes off to the front, whom he acknowledges, and they evidently marry, he keeps a certain distance.

In WWI Mussolini is wounded in the army and is pleased to be congratulated by the king. When Ida finds him he is being tended in hospital by a new lover, a woman named Rachele (Michela Cescon). This is the last time Ida sees him in person.

As Mussolini rises to power and becomes the dictator known as “Il Duce,” linking himself with the ancient Roman emperors and dreaming of world domination, Ida is more and more kept away from him, and appears as a figure on the outskirts of power, at the center only of sporadic and operatic encounters during which she pleads for recognition and attention, only to be swept aside. She has a marriage certificate but it becomes lost. All her papers are taken. Mussolini remains with Rachele, is married to her, and fathers children by her. He conceals that he was married to Ida.

Ida, who calls herself Ida Mussolini and her son Benito or Benitino Albino Mussolini, is a woman obsessed, whom others urge to move on, but will not give up her pursuit of her idol and the man she believes to be the love of her life. For a while she is put under a kind of house arrest with her sister, then confined in one insane asylum and then another, while her son is taken away and sent to boarding school. She writes letters of protest to everyone, including the king and the pope; this of course only makes her seem crazy, but in a hearing it’s evident that she is tragically obsessed, but lucid, and in fact she is never declared insane. A psychiatrist (Corrado Invernizzi) vows to help her, but she is taken elsewhere before he can do so.

The film is rife with operatic passages featuring bright lights, dark shadows, violent storms and heavy rainfall, and yet retains its own kind of lucidity; it’s clear that the country and not Ida is mad, and Il Duce is the head madman. The most haunting scene shows an actual speech by Mussolini at the height of his power in which the gestures and facial contortions are not only ugly and strange but unmistakably those of a dangerous madman. Cut to the now grown son of Ida, doing an imitation of Mussolini’s speechifying and himself appearing genuinely deranged. Records show both mother and son received treatments that were akin to torture, and Ida was incarcerated for eleven years. The son died at the age of 26; Ida Dalser died at 57, 30 years after she first met Mussolini Italy’s eventual fascist dictator.

Since the film’s protagonist is on the periphery, it makes sense that eventually we know Mussolini only through the newsreels she occasionally sees, which are brilliantly integrated into the film; it’s hard to convey how striking and integral these images are. There are also haunting still portraits of Ida, showing her at progressive stages of suffering. The film’s sense of pictorialism is augmented by a sense of the visual language of the period, heightened by a scene in which Mussolini is introduced to the Italian Futurists and their paintings, and excellent use is made of Futurist and Fascist graphic design and fonts. The sound track is powerful but muted.

The film in fact is most satisfying visually, and despite Giovanna Mezzogiorno’s dedication to her performance as the independent yet long-suffering woman, there is a lack of three-dimensionality in the characterizations: the figures are monumental but not quite human. The focus becomes a bit distant even on Ida as her torments increase, and there is nothing about the private life of Il Duce. Finally there is not the intimacy Bellocchio achieved in ‘Good Morning, Night,’ except in the first intimate scenes between the young (still hairy) Benito and Ida. Nonetheless, the effect of the whole film is both sick-making and scary.

Though Bellocchio’s style here is operatic, it’s a swift-moving, elegant, contemporary kind of opera, and it works.

An IFC film, ‘Vincere’ was nominated for the Golden Palm at Cannes and was also shown at Telluride, and Toronto. I saw it at a preview screening of the New York Film Festival.

Vincere

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Moon (2009)

Sam Bell has a three year contract to work for Lunar Industries. For the contract?s entire duration, he is the sole employee based at their lunar station. His primary job responsibility is to harvest and periodically rocket back to Earth supplies of helium-3, the current clean and abundant fuel used on Earth. There is no direct communication link available between the lunar station and Earth, so his only direct real-time interaction is with GERTY, the intelligent computer whose function is to attend to his day to day needs. With such little human contact and all of it indirect, he feels that three years is far too long to be so isolated; he knows he is beginning to hallucinate as the end of his three years approaches. All he wants is to return to Earth to be with his wife Tess and their infant daughter Eve, who was born just prior to his leaving for this job. With two weeks to go, he gets into an accident at one of the mechanical harvesters and is rendered unconscious.

Moon (2009)
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Afterwards 2009 DvDRiP-ExtraScene RG-RMVB | Movie

Format : rmvb
Size : 275 MB
Source : Afterwards 2009 DvDRiP XviD-ExtraScene RG

John Malkovich …. Doctor Kayse
Romain Duris …. Nathan
Evangeline Lilly …. Claire
Pascale Bussieres…. Anna
Sara Waisglass …. Tracey

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500 Days Of Summer (2009) BDRip.XviD-ARiGOLD Fast Download

After it looks as if she’s left his life for good this time,
Tom Hansen reflects back on the just over one year that he
knew Summer Finn. Despite being physically average in almost
every respect, Summer had always attracted the attention of
men, Tom included. For Tom, it was love at first sight when
she walked into the greeting card company where he worked,
she the new administrative assistant. Soon, Tom knew that
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of his life

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Mary and Max (2009) DvDRip.XviD – TheWretched
It is a simple tale of pen-friendship between two very different people; Mary Dinkle, living in the suburbs of Melbourne, Australia and New Yorker Max Horovitz. Spanning 20 years and 2 continents, Mary and Max’s friendship survives much more than the average diet of life’s ups and downs.

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The Hangover (2009) DVDRip XviD-DoNE Fast Download
8.1/10 76,015 votes Top 250: #245


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The Ugly Truth (2009) – RMVB

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